Christian Music: A Global History
By Tim Dowley
ISBN 978-08006-9841-6
Reviewed by Clint Walker
Each and every week,
throughout the country, churches are discussing what “worship style” their
congregation should embrace. Some people believe that churches should embrace a
more “contemporary” style, following recent trends in secular and worship music
and bringing those musical styles into the church. Others embrace a more
“traditional” style of worship, believing that they are reflecting a historic
faith by the songs they sing. Both people who are traditional and people who
are more contemporary could benefit by reading Tim Dowley’s Christian Music, which describes
historic contributions to and development of music in the church.
Many persons who might
embrace a more traditional worship style will be surprised how the way people
do church music and worship has changed throughout the centuries. Christian Music tracks them all. From
the pre-Christian worship of the Ancient Hebrews, to the chant of the early
church, on to the radical revolutions in the way churches incorporated worship
after the Reformation and beyond, Dowley clearly demonstrates that worship in
the Christian church has always been changing and evolving.
Persons who embrace a more
contemporary style will be impressed with how similar the concerns and goals of
historical church musicians were to their own. Many of the revival songs that
we now understand as “traditional” because of their instrumentation were
actually attempts and presenting Christian music to nonbelievers in a way that
would be easy for them to both sing and understand.
This book is certainly a
pleasure to hold in one’s hand. The pages are thick. The text is filled with
high quality photographs of artwork and worship settings that skillfully
illustrate each era in the development of church music. The text is well
footnoted. It also has a nice index. Christian Music works hard to cover the
theological and cultural diversity of church music as it has developed.
I only have one
disappointment. This book billed as a global resource. Much of the discussion
of church music in a “global” sense makes it into each chapter through a small
article that serves as an interlude between sections in the book. I would have
liked to have known more about the development of church music outside of
Western Civilization in more depth.
Over all though, Christian Music would make a wonderful
book to own and read, as well as a great textbook. If I had a coffee table, I
would say it would be a good coffee table book as well with the fine artistic
sensibility the book presents. This book is both smart and classy. I loved it!
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